£4.00
Part 1 explains the idea behind the title, the nature of observation, the limitations of the culture we live within, and the necessity to nurture curiosity and permanent questioning. It asks readers to examine why they photograph and places that in the context of art and society. It shows how discovering one’s themes lead one to discovering what there is to photograph and goes into some detail about storytelling, themes, subject matter and content.
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The following pdf, composed of of numerous short essays based on the many workshops Robert has given, offers illustrated, thoughtful discussions about photography. For some, it may be a game changer, asking why do you photograph; what do you photograph when you have decided ‘why’; and how do you photograph what you have chosen to honestly represent your ideas? It is ideal for serious students, amateurs and professionals.
Written by Robert Golden, an award winning, often-exhibited photographer, he offers thoughtful ideas not often expressed with such truthfulness and clarity. Robert uses pictures from his extensive output to illustrate his ideas.
* This book is only sold in PDF format, once purchase is completed you will receive a link to download the book. In case of any problems please contact me at robert@robertgoldenpictures.com
Mike Norris –
I have just completed a series of workshops given by Robert Golden
It was a very mixed group of film-makers and photographers from all over Europe.
We discussed all manner of subjects from what can be learned from great photographic storytellers to what and why we are doing what we do.
I think it is fair to say that each of the workshops was challenging and thought-provoking.
Through reflecting on his practice and being exposed to Robert’s experience and enthusiasm
you can only improve in what you do.
Toni –
I wanted to give the biggest thanks and tell you what your recent course
has done for me and my family.
For as long as I can remember, I have been invisible to the world
including to my family and friends (never notified of events, family party’s, even funerals)
Wasn’t ever an issue, as far as I was aware, it was normal.
When I signed up to your photography course
I was expecting how to learn how to use my DSLR in a technical sense;
actually it became far more then that,
it became a whole new life by opening up a whole would of emotion,
self-pride and direction that I didn’t realize I had.
The journey you took us all through has made me learn I DO have potential –
one thing I was never told I had,
that is one thing I believe has held me back.
Joy Uglow –
Through his generous sharing of knowledge, experience and post-processing
during the six lockdown workshops,
Robert helped me clarify my own voice.
Exploring the work of those who’ve gone before
and studying the importance of every detail,
he encouraged a confidence in our own unique vision.
I celebrate the creative freedom to develop my own photographic stories.
N.B. –
came out of the group enriched, bursting to share some of the content with my partner
(a painter)
and looking forward to our next group.
It’s a treat to be with this group of people
who are all immersed in thinking seriously about photography
and willing to explore and share, engage and learn together.
You’re giving us lots to think about, a great opportunity.
M.A –
What you said about “photographers as storytellers being a messenger of reality,
bringing gifts of understanding” has stuck with me. There’s a poetry to it.
Irina Ganescu –
I want to say thank you for your discussion about
“How we can contribute with our camera”.
Years I’ve been wondering if for true art (especially painting, for me),
it is in order to do “good”
and should I (must I) always create beautiful positive paintings?
Every time I had something…let’s say “negative”,
I expressed it like a fear, a wound, something that hurt;
I felt a little guilty for putting it on paper and thinking
it might do more harm than good for whom ever sees it.
So thank you!
Rama Devi Nina –
RHYTHM AND STORYTELLING
“Wonderful. Every artist would benefit from this insight because rhythm is key in all forms of art. Especially in poetry, I had noticed, since I write poems, and in paintings.
I never thought about it in photos before today.
Insightful! I am enjoying your substance-rich workshops.